Connecting with new potential audiences for Revolt, She Said, I looked beyond the current cinema audience to the growing young feminist communities all around the UK.
DAISIES + SAUTE MA VILLE! screened at the Lexi as part of their Summer Film School, and CdF’s So Mayer went …
Including our CDFesto, a timeline of revolts and revolutions related to our film programme from 1968–1992, fabulous images from our …
Read about ICO programmer Isabel Moir’s intrepid journey into the regional film archives….thank you Isabel for your amazing work!
The Sphinx is re-emerging. It was never defeated, never fully gone, just lying dormant. It is resurrected.
For me the Woman with a Movie Camera summit was a long overdue coming together….
Every action in the film counts: cooking, eating, humming, brushing, dancing, laughing, washing, cleaning and taping; this is furious feminist work.
I was drawing up the power of dykes through time – the passing women of Before Stonewall, the butches and femmes, the people in the middle of nowhere just doing it.
Pat filmed, edited and presented MAEVE within the five-year period in which BORN IN FLAMES was made. While we played with fake guns and planted fake bombs in downtown Manhattan, Pat travelled in and out of a real war zone.
In One Sings and the Other Doesn’t correspondences serve as journeys towards and away from each other. They are journeys toward sameness and towards difference.