By Sara Chambers. Moving deeper into the margins of neglected female writers of this era I discovered I was hooked and actively sought out new names. I’d like to share a selection of titles by those either languishing in obscurity or neglected because they’re seen as old fashioned.
By Hannah Hutchings-Georgiou. During the second lockdown, I started to reread Jenny Hval’s Paradise Rot. Looking to Hval’s novel, I wanted to see the beauty in it all, the thread of life holding it all together, the brownish stain of the rotting apple leading us outdoors, into light, into spring, into a reinvigorated and reconstituted sense of self.
By Giulia Rho
Watching these films on the occasion of International Women’s Day I am left hopeful of the connections we are able to draw. We need to cultivate our genealogy, reworking the old in order to create something new, much like Sachs and Stratman do in their collaboration with Hammer.
By Annie Ring. Davies’ show robs Jill of ambivalence in a way that made me wonder how we can avoid our queer kinship relationships being complicit with neoliberal reductions of the state. Thinking through ambivalence, as I do below with reference to Roszika Parker’s feminist psychoanalysis, can help us by contrast to build more critical kinship for viral times.
By Elhum Shakerifar
Haratischvili’s abiity to draw connection and perspective is part of the joy of her writing… The question of hot chocolate is a thread that runs throughout the novel, and so I recommend you invest in something truly special to accompany your reading.
By Hannah Hutchings-Georgiou. One of my favourite images from Tara Fatehi Irani’s book, Mishandled Archive, is of a bride seated on the floor. She is very still, very quiet, but her eyes speak… She is gazing at her past; she is gazing at her future, at a future waiting, watching, approaching, soon to replace this moment.
By Jenny Chamarette I don’t think it’s a coincidence that It Takes Blood And Guts and The Forty-Year-Old Version have stuck with me while I experience my own mid-life inertia, as I reflect on the unseen power of my adolescent voice and look to rebuild my own creativity. And it makes sense to me to seek out the wisdom of Black women musicians and artists to do that.
By Frances Morgan. Small actions are The Assistant’s action. They’re mostly actions that will have to be done again and again, like cleaning, calling, copying, carrying; sorting things out.
Jenny Clarke Listening to Lizzie Borden and Jessie Rovinelli talk So Pretty, Working Girls, and Beyond This Culture Club entry …
By Reba Martin Courtney Barnett’s Sometimes I Sit and Think, Sometimes I Just Sit is available on Spotify, Youtube and …